Music First Audio Reference V2.1 www.the-ear.net

Music First Audio Reference V2.1 preamplifier I’m getting worried about Music First main man Jonathan Billington. Each time I get one of his products it is, like him, modest, understated and goes far beyond what one might expect from such an understated yet finely crafted set of components. The worry is that I keep thinking […]

Naim New Classic NSC 222, NPX 300, NAP 250 review

Naim NSC 222, NPX 300 & NAP 250 The Naim New Classic range marks the beginning of an era for the Salisbury based electronics brand, a company that celebrates its 50th anniversary this year. It is the first change to Naim’s core product line since the introduction of Naim Classic in 2002. The Mu-So and […]

LUMIN P1 silver main

Lumin P1 streamer preamplifier A glance at the Lumin range of network players is initially confusing, why is the Lumin P1 bigger than the more expensive X1 range topper? A quick comparison of the two back panels reveals the reason, the P1 is a streamer, a DAC and an analogue and digital preamplifier whereas the […]


M2T Young VdG 547

It’s not clear when looking at a single product from M2Tech’s Rockstars range why they have a particular name, but gather the model names together and you have the Crosby power amplifier, Nash phono preamplifier and Young DAC as well as a Joplin ADC/phono stage and a Mitchell active crossover among others. Stills doesn’t seem […]

E100s x 2 EPre v4 547

Built by brothers Carl and Neil Broomfield in Yorkshire the CAAS Audio electronics are pretty ambitious bits of kit by British standards. There aren’t many small companies making components with casework that’s milled from a single aluminium billet in these isles and even fewer who have developed their own amplification and volume control circuits. CAAS […]

Linn is one of the few hi-fi manufacturers that makes its own metalwork in house, this is because the company’s founder worked at his father’s engineering business before creating the legendary LP12 turntable and discovered a way to make a mark on the audio world. This is possibly why the latest incarnation of Linn’s ultimate […]


BM_HPA4_main

Benchmark’s HPA4 is the first item of audio kit I have encountered that peels apart the ying and the yang of audio to expose the fault line between those of us for whom measurements are all that matters… and those of us that approach audio from a more emotional, less scientific direction. But in another […]

ALTAIR-G2

Newcomers to the Auralic brand can be forgiven for finding their range of near identical components a little confusing, the external differences come down to details of construction and the colour of controls. In essence it seems that the more ambitious products are entirely black and weigh more than the more affordable options. All of […]

Chord_Hugo_2Go_20

Two and a half years after releasing Poly for its award-winning Mojo, Chord Electronics has treated its flagship portable DAC/headphone amp, Hugo 2, to an add-on streamer/server of its own. Having reviewed Hugo 2’s larger table-top sibling, Hugo TT 2, last autumn, now seemed like the perfect time to see how the portable model measures up […]


VEGA-G2

When is a streamer not really a streamer, in Auralic’s case that is when there is not Lightning DS operating system onboard. Auralic has been making the Aries which is purely a streamer with digital only outputs, and the Vega which is ostensibly a streamer with onboard DAC for some time now but the latter […]

MFA-SUTV2_main

Where would we be without vinyl? Whether you love it or hate it, it’s been a major element of home music replay for many decades from its earliest beginnings in the heady days of acoustic shellac discs to the refined electronics and modern pressings we can enjoy today.  Not that it’s without its foibles. Talk […]

Townshend-Allegri-reference-main

You wouldn’t think that attenuating or reducing a signal would be all that difficult, yet this is essentially what preamplifiers do most of the time. Active ones complicate matters by adding gain, which in essence is increasing the signal, but with modern sources there is rarely any need to actually increase it by much unless […]