In the studio world all loudspeakers are actively driven, Yamaha’s once ubiquitous NS10 being the exception that proves the rule. In an active speaker the crossover is electronic and comes before the amplifiers which are directly connected to each drive unit. It’s an approach that has huge advantages in so many ways yet despite the […]
Most loudspeaker makers improve their products by degrees; they refine cabinets, drive units and crossovers and gradually make them better. You get the occasional jump in performance when a new cone or dome technology is developed but on the whole it’s an incremental process. Newcomer Kii Audio takes a rather different approach. Rather than using […]
Active loudspeakers are hot, once the preserve of studio monitoring, speakers with built in amplifiers can be found across the board from Bluetooth boxes through soundbars to serious hi-fi. A brand that has been nibbling away at the affordable end of the audio market is Audioengine, an American company who’s direct approach at the Munich […]
When Prism Sound launched their first consumer product the Callia DAC they chose Mark Knopfler’s British Grove studios to do it in. The venue has more than its fair share of ATC monitors (they have the big ones of course) but the character of all ATC speakers is much the same, warts-and-all detail resolution of […]
Many years ago I discovered that products built for the professional market work well in domestic systems as well. This is especially true for D/A converters and loudspeakers, maybe less so for 19” rack mount amplifiers (except Bryston and ATC). In a studio loudspeakers are often in the walls, however you always find a pair […]