wand main

Turntables come and turntables go, and so do arms, cartridges and the other paraphernalia surrounding vinyl replay. However, unlike the majority of ‘me too’ CD or digital replay systems, many vinyl replay products still manage to have an enduring place in people’s memories, almost regardless of when they were encountered. For my sins I hold […]

opera-consonance-wax-engine-turntable

OK. So turntables are still the ‘new kid on the block’ after all this time, and still the debates rage regarding whether they should be suspended, rigidly mounted, plinth or no plinth, belt, idler or direct drive… But let’s face it, as with speaker types, or your preferred music to listen to, it’s whether a […]

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My first review of the Vertere Acoustics MG-1 MkII turntable was published here in The Ear back on 8 October 2019. It was awarded a well-deserved 5 Stars by our esteemed editor and I subsequently nominated it as one of my products of the year. So why, a reasonable person might ask, do we need […]


Klimax-LP12-main

I have been involved in reviewing hi-fi equipment for some time now, but only occasionally have I been genuinely excited but also nervous about receiving a piece of equipment to audition. When the editor told me that his request to Linn Audio for a review sample of their range-topping LP12 had been approved, I actually […]

holbo-main

The wonderful thing about turntables is that they inspire a wide variety of ideas about how best to go about the tricky job of extracting the vibrations from a vinyl groove. On the one hand they are pretty crude, all that’s required is to get the groove to rotate under the stylus at the right […]

VPI-Prime-main

Almost a year ago The Ear published my review of the VPI Prime Signature turntable, which you can find here. In summary, I found it to be an excellent machine, with fine build quality and excellent sonics. Here we are, an eventful 12 months later, and I have had another VPI machine in my system, this time […]


Prime-Signature-main

I first visited Monmouth County in central New Jersey in December 1981. I had joined a company called Perkin Elmer Data Systems which was based in Oceanport, New Jersey and was sent there, with a British colleague, for two weeks to learn all about the products which I was going to be selling. This was […]

Vertere-MG-1-main

Touraj Moghaddam has been creating extraordinary hi-fi equipment for decades but is undoubtedly best known for his work on turntable design, initially at Roksan with such legendary products as the Xerxes and TMS3 to his credit and latterly at his most recent venture, Vertere Acoustics. I have had the pleasure of meeting him a few […]

PL10 main

Five years ago Rega launched the RP10, a turntable based on the innovations developed for Rega’s cost no object Naiad. The RP10 moved the goal posts, it redefined what a turntable that cost less than a car could do and I have been enjoying my vinyl on one ever since its launch. Earlier this year […]


Well Tempered Amadeus 254 GT

Turntable design has always been open to new ideas, the variety of approaches to the apparently straightforward process of measuring modulations in a groove is quite extraordinary. And one of the more left field approaches is that taken by American designer Bill Firebaugh, creator of the Well Tempered turntable, a design that’s been around since […]

Automatic-1

What do you do after you have set up a vinyl mastering studio using vintage hardware and established its credentials with some truly great sounding records. If you’re Darrel Sheinman founder of Gearbox you decide to make a turntable using the brand that’s been so carefully nurtured. And not just any turntable, the Gearbox Automatic combines technology […]

Planar 8 main

A few years ago Rega set out to build the ultimate turntable, they looked at completely new ways to create a plinth with massive stiffness and negligible weight and used technology from F1 and aerospace to create the Naiad, the only cost no object product the company has ever built. The research that was done for […]